apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Emile Dressed As Cyrano
Emile Dressed As Cyrano by Jules Bastien-Lepage

plate no. 1267

Emile Dressed As Cyrano

Jules Bastien-Lepage, 1883

oilRealismportraitfigureportraitclothinghatcapehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and expression, and in creating depth and form using subtle value changes and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic figure proportions and pose on the canvas.

  2. step 02

    Block in the large shapes of the figure and background with thin washes of color.

  3. step 03

    Establish the main light and shadow areas on the face and clothing.

  4. step 04

    Begin to refine the facial features, paying attention to the subtle value changes.

  5. step 05

    Develop the details of the clothing, using thicker paint and more visible brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background, ensuring it complements the figure.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · ultramarine blue · titanium white

Achieve the muted tones by mixing earth colors with small amounts of blue and red. Use white to lighten values and create highlights.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·value studies
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a strong value structure.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a toned canvas to start with a mid-value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy