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home·artworks·Embarkation of Soldiers near the Montelbaanstoren
Embarkation of Soldiers near the Montelbaanstoren by Abraham Storck

plate no. 5814

Embarkation of Soldiers near the Montelbaanstoren

Abraham Storck

oilBaroquemarinawaterboatsbuildingsskyfigurestower
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections in water, and depicting complex architectural details. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the tower, boats, and horizon line.

  2. step 02

    Block in the sky with broad strokes, capturing the subtle variations in color and tone.

  3. step 03

    Establish the basic shapes of the buildings and tower, paying attention to their perspective and proportions.

  4. step 04

    Paint the water, focusing on capturing the reflections of the boats and buildings.

  5. step 05

    Add details to the boats, including the sails, rigging, and figures.

  6. step 06

    Refine the details of the buildings and tower, adding windows, architectural elements, and shadows.

  7. step 07

    Add the smaller boats and figures in the distance, using lighter tones to create atmospheric perspective.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and realistic scene.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use glazes of burnt sienna and raw umber to create depth and shadows in the buildings and boats.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·linear perspective

common pitfalls

  • →Overworking the details early on
  • →Incorrect perspective of buildings and boats
  • →Failing to capture the subtle color variations in the sky and water
  • →Making the reflections too bright or too dark

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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