apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Embarkation of Saint Ursula
Embarkation of Saint Ursula by Agostino Tassi

plate no. 9182

Embarkation of Saint Ursula

Agostino Tassi

oilBaroquereligious paintingarchitecturefiguresboatsskyharborcolumns
experienced study

Recreating this painting will help students develop skills in perspective, rendering architectural details, and creating depth through atmospheric perspective. It also provides practice in painting figures in various poses and scales.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition, focusing on the placement of the architectural elements and the horizon line.

  2. step 02

    Block in the main shapes of the buildings, columns, and boats using simplified forms and a limited palette of earth tones.

  3. step 03

    Establish the sky with a light blue wash, blending it softly towards the horizon.

  4. step 04

    Start adding details to the architectural elements, paying attention to perspective and the play of light and shadow.

  5. step 05

    Begin painting the figures, starting with the larger groups and gradually adding detail to the individual figures in the foreground.

  6. step 06

    Add the boats and rigging, using thin lines and subtle variations in color to create depth.

  7. step 07

    Refine the details of the foreground, including the flowers and the figures on the carpet.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · yellow ochre · cadmium red · titanium white

Achieve the muted tones by mixing earth colors with small amounts of blue and white. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·linear perspective
  • ·figure painting
  • ·rendering architecture

common pitfalls

  • →getting the perspective wrong
  • →overworking the details
  • →using colors that are too bright
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne