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home·artworks·Elizabeth Perley Kinnicutt
Elizabeth Perley Kinnicutt by Frank W. Benson

plate no. 6093

Elizabeth Perley Kinnicutt

Frank W. Benson, 1909

oilRealismportraitportraitfiguredresswomanfoliagelace
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures, as well as understanding subtle color variations and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, loose strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure and dress, using a limited palette of warm and cool tones.

  4. step 04

    Develop the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Refine the details of the dress, capturing the texture and folds of the fabric.

  6. step 06

    Add highlights and shadows to create depth and dimension throughout the painting.

  7. step 07

    Work on the hands, paying attention to the subtle nuances of form and gesture.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of color and tone.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · alizarin crimson · ultramarine blue

Mix various shades of white with yellow ochre and a touch of raw umber for the dress. Use ivory black and raw umber for the background, adding small amounts of blue or crimson to adjust the temperature.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the subtle color variations in the dress and background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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