
plate no. 0455
John Riley, 1680
Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fabric folds. It also provides practice in creating a sense of depth and atmosphere.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the overall value structure with a thin underpainting using burnt umber.
Block in the main colors of the dress, skin, and background.
Refine the skin tones, paying attention to subtle variations in color and value.
Develop the folds and highlights in the dress, using a variety of brushstrokes.
Add details to the face, such as the eyes, nose, and mouth.
Paint the background elements, including the tree and architectural details.
Add final highlights and shadows to create a sense of depth and realism.
color palette
primary · burnt sienna · titanium white · ultramarine blue · cadmium red
secondary · yellow ochre · ivory black
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue. The dress color is a mix of burnt sienna and red, with white added for highlights. The blue fabric is ultramarine with white and a touch of black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne