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home·artworks·Elisha’s Resurrection of the Shunammite Woman’s Son
Elisha’s Resurrection of the Shunammite Woman’s Son by Jacopo Vignali

plate no. 1915

Elisha’s Resurrection of the Shunammite Woman’s Son

Jacopo Vignali, 1637

oil, canvasBaroquereligious paintingfiguresinteriorreligious scenedraperybed
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating dramatic lighting effects. It also offers practice in depicting complex drapery and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and areas of light and shadow using thin washes of color.

  3. step 03

    Begin building up the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Develop the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Refine the details of the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Add the background and architectural elements, keeping them relatively simple to avoid distracting from the figures.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the depth and richness of the tones.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix skin tones using white, burnt umber, and a touch of red or yellow ochre. Achieve dark shadows by mixing burnt umber and ivory black. Use glazes of red and brown to create depth and richness in the drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →incorrect proportions of the figures
  • →overworking the skin tones
  • →losing the sense of light and shadow
  • →creating muddy colors
  • →neglecting the details of the faces and hands

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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