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home·artworks·Elias Ashmole
Elias Ashmole by John Riley

plate no. 6065

Elias Ashmole

John Riley, 1682

oilBaroqueportraitportraitfigureclothingbookjewelryhair
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering realistic fabrics and textures. It also provides practice in creating depth and dimension through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and objects.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main areas of color for the figure's clothing, hair, and skin, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the details of the clothing, including the folds, highlights, and shadows.

  6. step 06

    Add the details of the book, jewelry, and other accessories.

  7. step 07

    Refine the hair, creating texture and volume with layered brushstrokes.

  8. step 08

    Add final highlights and details to enhance the realism and depth of the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · gold

Mix various shades of brown and red for the clothing, using white to lighten the tones and black to darken them. Achieve the skin tones by mixing white, red, and yellow ochre, adjusting the proportions to create subtle variations.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabrics
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or flat lighting.
  • →Lack of detail in the facial features.
  • →Inaccurate color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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