
plate no. 6065
John Riley, 1682
Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering realistic fabrics and textures. It also provides practice in creating depth and dimension through subtle value changes.
technical profile
approach — 8 steps
Create a preliminary sketch outlining the basic shapes and proportions of the figure and objects.
Establish the background with a dark, even tone.
Block in the main areas of color for the figure's clothing, hair, and skin, focusing on the overall value structure.
Begin refining the facial features, paying close attention to the light and shadow patterns.
Develop the details of the clothing, including the folds, highlights, and shadows.
Add the details of the book, jewelry, and other accessories.
Refine the hair, creating texture and volume with layered brushstrokes.
Add final highlights and details to enhance the realism and depth of the painting.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · ivory black · yellow ochre · gold
Mix various shades of brown and red for the clothing, using white to lighten the tones and black to darken them. Achieve the skin tones by mixing white, red, and yellow ochre, adjusting the proportions to create subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne