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home·artworks·Elbrus in the clouds
Elbrus in the clouds by Mykola Yaroshenko

plate no. 3035

Elbrus in the clouds

Mykola Yaroshenko, 1894

oil, canvasRealismlandscapemountainscloudsfigurelandscapeskyrocks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, blending, and creating depth using value and color temperature. It also provides practice in depicting dramatic lighting and cloud formations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, figure, and foreground rocks.

  2. step 02

    Establish the dark values of the foreground and lower areas of the painting using a thin wash of dark brown or black.

  3. step 03

    Begin building up the cloud formations with layers of gray and white, paying attention to the shapes and movement of the clouds.

  4. step 04

    Introduce subtle color variations in the clouds, using hints of blue, yellow, and pink to create depth and interest.

  5. step 05

    Paint the distant mountains, using lighter values and cooler colors to create atmospheric perspective.

  6. step 06

    Add details to the foreground rocks and the figure, using small brushstrokes and varying values to create texture and form.

  7. step 07

    Refine the blending and transitions between values, softening edges and creating a sense of atmosphere.

  8. step 08

    Add final highlights and details to the clouds and mountains to enhance the sense of light and drama.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix various shades of gray by combining black and white. Add small amounts of blue or yellow to adjust the color temperature of the grays. Use burnt sienna and raw umber for the dark foreground.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies
  • ·blending

common pitfalls

  • →Overworking the clouds and losing the sense of atmosphere.
  • →Making the foreground too detailed and distracting from the focal point.
  • →Failing to create a strong sense of depth and distance.
  • →Using too much pure white and not enough subtle variations in value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·selection of round and flat brushes
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A medium-sized canvas (e.g., 16x20 inches) is recommended. Use artist-grade oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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