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home·artworks·El Popocatépetl y el Iztaccíhuatl
El Popocatépetl y el Iztaccíhuatl by Jose Maria Velasco

plate no. 8545

El Popocatépetl y el Iztaccíhuatl

Jose Maria Velasco, 1895

oilRealismlandscapemountainslandscapetreesskybuildingsvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and distance. It also provides practice in rendering complex foliage and varied textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains and main landscape elements.

  2. step 02

    Establish the sky gradient with light washes of color, blending from light purple/blue at the top to warm yellow/orange near the horizon.

  3. step 03

    Block in the distant mountains with muted purples and browns, paying attention to their relative values to create atmospheric perspective.

  4. step 04

    Paint the mid-ground plains with warm browns and oranges, adding subtle variations in color and value to suggest depth.

  5. step 05

    Start building up the foliage in the foreground with dark greens and browns, using a variety of brushstrokes to create texture.

  6. step 06

    Add details to the buildings and structures, paying attention to their perspective and how they recede into the distance.

  7. step 07

    Refine the details in the foreground foliage, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and adjustments to the overall composition, ensuring that the colors and values are balanced and harmonious.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre · titanium white

secondary · alizarin crimson · viridian green

Achieve the atmospheric perspective by mixing blues and purples with white to create lighter, cooler tones for distant mountains. Mix browns and greens with yellow ochre and white for the mid-ground plains and foliage.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overly saturated colors in the distance
  • →Lack of value contrast in the foreground
  • →Ignoring atmospheric perspective
  • →Oversimplifying the foliage texture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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