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home·artworks·El embajador de Rusia Peter Ivanovich Potemkin
El embajador de Rusia Peter Ivanovich Potemkin by Juan Carreño de Miranda

plate no. 6609

El embajador de Rusia Peter Ivanovich Potemkin

Juan Carreño de Miranda, 1682

oilBaroqueportraitportraitfigureclothingbeardhatstaff
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering textures of fabric and fur, and in creating depth through subtle value changes. It also provides practice in capturing the likeness and character of a subject.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure's clothing and hat with diluted washes of color.

  4. step 04

    Start building up the values in the face, paying attention to the light and shadow.

  5. step 05

    Develop the textures of the clothing, fur, and beard using layering and dry brushing techniques.

  6. step 06

    Add details to the hat and belt, focusing on the intricate patterns and embellishments.

  7. step 07

    Refine the highlights and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final touches and glazes to unify the colors and enhance the overall effect.

color palette

primary · red ochre · burnt umber · ivory black · titanium white

secondary · gold ochre · raw sienna · cadmium yellow light · alizarin crimson

Achieve the rich reds by mixing red ochre with alizarin crimson and burnt umber. Use white to create highlights and lighter tones. Mix gold ochre and raw sienna for the gold details.

techniques

  • ·portraiture
  • ·glazing
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Getting the proportions of the figure wrong in the initial sketch.
  • →Overworking the details too early in the painting process.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red ochre, burnt umber, ivory black, titanium white, gold ochre)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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