apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·El Concierto
El Concierto by Mattia Preti

plate no. 7956

El Concierto

Mattia Preti, 1635

oil, canvasBaroquegenre paintingfiguresviolintableclothingmusicinstruments
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and understanding chiaroscuro lighting. It also provides practice in depicting complex poses and interactions between figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows.

  4. step 04

    Develop the details of the faces, clothing, and instruments, paying attention to the textures and patterns.

  5. step 05

    Refine the edges and transitions between values to create a sense of depth and form.

  6. step 06

    Add the final details, such as the highlights in the eyes and the reflections on the instruments.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the luminosity.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · Prussian blue · cadmium yellow light · raw sienna

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white. Use Prussian blue and burnt umber to create the dark greens of the clothing. Mix raw sienna and yellow ochre for the golden hues.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figures
  • →Overworking the details too early
  • →Failing to establish a strong light source
  • →Inaccurate color mixing
  • →Ignoring the subtle variations in value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas primed with several layers of gesso. Consider using a toned ground to help establish the overall value range.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne