
plate no. 2293
Francesco Ribalta, 1610
Recreating this painting will help students develop skills in portraiture, including capturing subtle skin tones and rendering soft lighting effects. It also provides practice in painting drapery and details like jewelry.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the face and body.
Establish the background with dark greens and browns, blending towards the halo area.
Block in the skin tones with a base layer of light ochre and white.
Begin layering the hair, using varying shades of brown and gold to create depth and texture.
Refine the facial features, paying close attention to the subtle highlights and shadows.
Paint the clothing with light grays and whites, suggesting the folds and drapery.
Add the details of the necklace, including the pearls and gemstones.
Glaze the painting with thin layers of color to unify the tones and create a sense of atmosphere.
color palette
primary · titanium white · raw umber · yellow ochre · burnt sienna
secondary · ivory black · cadmium red light · viridian
Achieve skin tones by mixing white, yellow ochre, and a touch of red; create depth in the hair by layering different shades of brown and gold; use thin glazes of color to unify the painting.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne