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Edward Pierce by Isaac Fuller

plate no. 1868

Edward Pierce

Isaac Fuller, 1670

oilBaroqueportraitportraitfiguredraperysculpturebusthand
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones, as well as understanding how to depict the folds and textures of drapery using light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure, bust, and drapery.

  2. step 02

    Establish the background with a dark, muted tone, allowing for subtle variations in value.

  3. step 03

    Block in the main areas of the figure and bust with mid-tones, focusing on accurate placement and proportions.

  4. step 04

    Begin layering in darker values to define shadows and create depth in the drapery and facial features.

  5. step 05

    Introduce lighter values to highlight the forms and create a sense of volume.

  6. step 06

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add subtle color variations to the skin tones and drapery to create a more realistic and nuanced effect.

  8. step 08

    Make final adjustments to the values and details to achieve a cohesive and balanced composition.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Darken the shadows with ivory black and raw umber. Create the drapery by mixing ivory black with small amounts of raw umber and white for highlights.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the initial sketch.
  • →Using colors that are too saturated or vibrant.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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