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home·artworks·Ecce Homo
Ecce Homo by Caravaggio

plate no. 0219

Ecce Homo

Caravaggio, 1605

oil, canvasBaroquereligious paintingfiguresreligious sceneportraitdramatic lightinghistorical
experienced study

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering realistic skin tones under dramatic lighting. It also provides practice in capturing complex emotions and narratives through visual representation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark underpainting.

  2. step 02

    Lightly sketch the main figures and their positions, focusing on proportions and composition.

  3. step 03

    Block in the darkest areas of the background and clothing using dark browns and blacks.

  4. step 04

    Begin building up the mid-tones and highlights on the figures, starting with the face of Christ.

  5. step 05

    Carefully blend the transitions between light and shadow to create a sense of volume and depth.

  6. step 06

    Add details such as the crown of thorns, the rope, and the facial features of the other figures.

  7. step 07

    Refine the highlights and shadows, paying attention to the direction of the light source.

  8. step 08

    Add final glazes to enhance the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium yellow and alizarin crimson for warmth. Use ivory black and burnt umber for the dark background and clothing. Mix ultramarine blue with burnt umber to create a deep, muted purple for the cloth.

techniques

  • ·Chiaroscuro
  • ·Glazing
  • ·Underpainting
  • ·Portraiture
  • ·Blending

common pitfalls

  • →Over-blending can flatten the forms.
  • →Incorrect proportions will detract from the realism.
  • →Failing to establish a strong value structure will result in a muddy painting.
  • →Inaccurate color mixing will make skin tones look unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, raw sienna, titanium white, ivory black)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

A pre-toned canvas with a dark umber wash will help establish the dark background and overall value structure.

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related guides

oil painting for beginners →chiaroscuro →paint like caravaggio →how to learn by studying the masters →
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