apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Easter market in Naples
Easter market in Naples by Vincenzo Caprile

plate no. 8704

Easter market in Naples

Vincenzo Caprile

oilRealismgenre paintingmarketbuildingsfigurescityscapecartsmonument
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. Students can also practice creating a sense of depth and distance using color and value variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, monument, and major figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the large shapes of the buildings and monument, paying attention to the subtle color variations.

  4. step 04

    Begin adding details to the figures, starting with the larger ones in the foreground.

  5. step 05

    Develop the textures of the buildings and the ground using dry brush techniques.

  6. step 06

    Refine the details of the monument and the figures, adding highlights and shadows.

  7. step 07

    Add the final details, such as the windows, doors, and other architectural elements.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Achieve the muted tones by mixing earth tones with small amounts of blue and red. Use white to lighten the values and create highlights.

techniques

  • ·atmospheric perspective
  • ·dry brush texture
  • ·glazing
  • ·scumbling
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early
  • →Overworking the painting
  • →Failing to establish a strong value structure
  • →Incorrect perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes size 2-6
  • ·flat brushes size 4-8
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy