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home·artworks·Early Autumn
Early Autumn by Iván Shishkin

plate no. 0697

Early Autumn

Iván Shishkin, 1889

oilRealismlandscapetreesforestpathautumnlandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the effects of light filtering through foliage. It also provides practice in rendering tree bark and creating a sense of atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the path.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and yellow ochre.

  3. step 03

    Begin layering in the darker tones of the tree trunks and shadows using burnt umber and black.

  4. step 04

    Add the foliage using a mix of yellow ochre, cadmium yellow, burnt sienna, and a touch of green.

  5. step 05

    Create highlights on the leaves and tree trunks with lighter shades of yellow and white.

  6. step 06

    Develop the path with varying tones of brown and yellow, suggesting texture and depth.

  7. step 07

    Add details such as small branches and fallen leaves.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to create a cohesive and realistic scene.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · cadmium yellow · ultramarine blue · black

Mix various shades of green by combining yellow ochre and ultramarine blue. Achieve warm browns by blending burnt sienna with yellow ochre and a touch of black. Lighten colors with titanium white.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors straight from the tube without mixing them, resulting in a flat and unnatural look.
  • →Neglecting the importance of value contrast, leading to a muddy or washed-out painting.
  • →Failing to create a sense of depth by not varying the color and detail in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt sienna, cadmium yellow, ultramarine blue, titanium white, black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting varnish

Use artist-grade oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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