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home·artworks·Donkey drivers at an Italian ruin
Donkey drivers at an Italian ruin by Jan Asselijn

plate no. 5042

Donkey drivers at an Italian ruin

Jan Asselijn

canvas, oilBaroquelandscaperuinsbridgefiguresanimalslandscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures of stone and foliage. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins, bridge, and horizon line.

  2. step 02

    Establish the sky with a light blue base, adding soft, blended clouds.

  3. step 03

    Block in the large shapes of the ruins with varying shades of ochre and umber, paying attention to light and shadow.

  4. step 04

    Paint the bridge and distant landscape, using atmospheric perspective to create depth.

  5. step 05

    Add the figures and animals, starting with basic shapes and gradually adding details.

  6. step 06

    Refine the details of the ruins, adding texture and highlights to the stone.

  7. step 07

    Paint the foliage and vegetation around the ruins, using a variety of greens and browns.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · raw umber · yellow ochre · ultramarine blue · titanium white

secondary · burnt sienna · ivory black · sap green

Mix various shades of brown and gray by combining umber, ochre, and black. Achieve atmospheric perspective by adding white to colors for distant objects.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (raw umber, yellow ochre, ultramarine blue, titanium white, burnt sienna, ivory black, sap green)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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