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home·artworks·Dolo on the Brenta
Dolo on the Brenta by Canaletto

plate no. 0133

Dolo on the Brenta

Canaletto, 1728

oil, canvasBaroquecityscapebuildingswaterskyfiguresboatscityscape
some experience helpful

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering architectural details with light and shadow. It also provides practice in painting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major buildings, and the river's perspective.

  2. step 02

    Block in the sky with light blue, blending towards the horizon with a touch of grey.

  3. step 03

    Establish the basic shapes of the buildings with light washes of ochre, burnt sienna, and white.

  4. step 04

    Paint the water using varying shades of blue and grey, reflecting the sky and buildings.

  5. step 05

    Add details to the buildings, including windows, roofs, and architectural features, paying attention to perspective.

  6. step 06

    Paint the figures in the foreground with small brushstrokes, using a limited palette of earth tones and reds.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine details and adjust values to achieve a sense of atmospheric perspective.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · cadmium red light · ivory black

Mix various shades of blue and grey for the sky and water. Use burnt sienna and yellow ochre for the buildings, adjusting with white and umber for highlights and shadows. Mix red with umber and white for the figures' clothing.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overly saturated colors that detract from the atmospheric effect.
  • →Lack of value contrast making the painting appear flat.
  • →Ignoring the subtle color shifts in the sky and water.
  • →Rushing the initial sketch and blocking in of shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A pre-primed canvas is recommended. Use a medium-sized canvas (e.g., 16x20 inches) for easier handling.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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