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home·artworks·Dividend day at the bank of england
Dividend day at the bank of england by George Elgar Hicks

plate no. 7979

Dividend day at the bank of england

George Elgar Hicks, 1859

oilRealismgenre paintingfiguresarchitectureinteriorcrowdbankhistorical
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and rendering architectural interiors with subtle lighting. It also provides practice in creating a sense of depth and atmosphere using color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic architectural structure and the placement of the main figures.

  2. step 02

    Establish the overall warm, muted color palette by applying a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the larger shapes of the figures, focusing on their general forms and colors.

  4. step 04

    Develop the details of the figures, paying attention to their clothing, facial features, and gestures.

  5. step 05

    Add highlights and shadows to create depth and dimension, especially on the figures and architectural elements.

  6. step 06

    Refine the architectural details, such as the arches, columns, and lettering.

  7. step 07

    Add the smaller details, such as the dogs, accessories, and background figures.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing the primary colors with each other and with white. Use glazes of diluted color to create subtle variations and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth texture to facilitate glazing. Consider using a toned ground to establish the warm undertones.

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oil painting for beginners →how to learn by studying the masters →
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