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home·artworks·Dishes with Oysters, Fruit, and Wine
Dishes with Oysters, Fruit, and Wine by Osias Beert

plate no. 0240

Dishes with Oysters, Fruit, and Wine

Osias Beert, 1625

oilBaroquestill lifeoystersfruitwine glassestableshellfishtableware
experienced study

Recreating this painting will help students develop skills in rendering reflective surfaces, creating realistic textures, and understanding the interplay of light and shadow in a complex still life composition. It also provides practice in accurately depicting a variety of objects with different shapes and materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the placement and proportions of the main objects.

  2. step 02

    Block in the background with a dark, neutral tone.

  3. step 03

    Establish the basic colors and values for each object, focusing on the overall light and shadow patterns.

  4. step 04

    Develop the details of each object, paying close attention to the highlights and reflections.

  5. step 05

    Refine the textures of the various surfaces, using techniques like dry brushing or stippling.

  6. step 06

    Add the small details, such as the pearls and the patterns on the bowls.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth and realism.

  8. step 08

    Add final glazes to enhance the richness of the colors and the luminosity of the highlights.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow · ultramarine blue

Achieve the subtle variations in color by mixing small amounts of complementary colors. Use glazes of transparent colors to create depth and luminosity. The colors of the liquids in the glasses are achieved by layering transparent yellows and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering reflective surfaces
  • ·creating texture
  • ·chiaroscuro

common pitfalls

  • →getting the proportions wrong
  • →flattening the forms by not paying attention to light and shadow
  • →overworking the details before establishing the overall composition
  • →using colors that are too saturated
  • →not capturing the reflective quality of the glass and metal

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·dammar varnish
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next. Consider using a toned canvas to start.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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