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home·artworks·Diogenes with his Lantern, in search of an Honest Man
Diogenes with his Lantern, in search of an Honest Man by Mattia Preti

plate no. 6185

Diogenes with his Lantern, in search of an Honest Man

Mattia Preti

oilBaroqueportraitfigureportraitlanternbeardhoodold man
experienced study

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering textures like skin, fabric, and metal. It also provides practice in capturing a sense of mood and atmosphere through lighting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and lantern.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, paying attention to the light and shadow patterns.

  4. step 04

    Begin refining the details of the face, focusing on accurate rendering of the features and expression.

  5. step 05

    Develop the textures of the beard, fabric, and lantern, using a variety of brushstrokes.

  6. step 06

    Pay close attention to the light source and how it affects the colors and values in the painting.

  7. step 07

    Add highlights and details to the lantern to create a sense of luminosity.

  8. step 08

    Refine the background and blend the edges of the figure to create a sense of depth.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · yellow ochre · ultramarine blue

Achieve the skin tones by mixing white, sienna, umber, and a touch of yellow ochre. Use ultramarine blue to cool down the shadows. Mix black and umber for the darkest areas.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the initial sketch.
  • →Ignoring the effect of the light source on the colors and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth texture for best results. Consider using a toned ground to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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