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home·artworks·Diogenes Throwing Away His Drinking Cup.
Diogenes Throwing Away His Drinking Cup. by Salvator Rosa

plate no. 7724

Diogenes Throwing Away His Drinking Cup.

Salvator Rosa, 1651

oil, canvasBaroquehistory paintingfigurestreeslandscapeskycloudshistorical
experienced study

Recreating this painting will help students develop skills in rendering figures in dynamic poses and creating atmospheric perspective with subtle value shifts. Students will also practice creating depth through layering and manipulating light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main tree lines.

  2. step 02

    Establish the dark background tones using a thin wash of burnt umber and black.

  3. step 03

    Block in the main light areas on the figures and the sky, using a lighter value of the background color.

  4. step 04

    Begin to refine the forms of the figures, paying attention to the drapery and anatomy.

  5. step 05

    Develop the details of the trees, using a variety of brushstrokes to create texture.

  6. step 06

    Add highlights to the figures and the sky to create a sense of drama.

  7. step 07

    Glaze over areas to unify the colors and create depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the muted tones by mixing the umbers, black, and white in varying proportions. Use small amounts of yellow ochre or raw sienna to warm up the shadows. Add a touch of ultramarine blue to cool down the highlights.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast in the initial layers.
  • →Failing to establish a clear light source.
  • →Inaccurate figure proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a smooth texture to facilitate blending. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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