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Diogenes by Jusepe de Ribera

plate no. 4594

Diogenes

Jusepe de Ribera, 1637

oil, canvasTenebrismportraitfigureportraitlanternbeardlighttenebrism
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering textures with visible brushstrokes. It also provides practice in capturing a sense of drama and mood through lighting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, lantern, and light source.

  2. step 02

    Establish the background with a dark, muted tone, creating the oval shape.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomical landmarks.

  4. step 04

    Begin layering in the shadows and highlights on the face and hands, using a limited palette of browns and creams.

  5. step 05

    Develop the details of the beard and hair, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the lantern, focusing on the light emanating from the candle and its effect on the surrounding areas.

  7. step 07

    Refine the details of the clothing and background, adding subtle variations in tone and texture.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Achieve the various shades of brown by mixing burnt umber and raw umber with varying amounts of white. Use yellow ochre to add warmth to highlights and ivory black to deepen shadows.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color, which can detract from the overall mood.
  • →Not paying enough attention to the effect of light on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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