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Diedci by Francesco Solimena

plate no. 3739

Diedci

Francesco Solimena

oilBaroquereligious paintingfigurecloudsangelsreligiousrobeslight
experienced study

Recreating this painting will help students develop skills in portraiture, drapery, and creating atmospheric perspective using subtle color variations and blending. It also provides practice in rendering light and shadow to create a sense of depth and drama.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and clouds.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the background with thin washes of color, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Start building up the forms of the figures, paying attention to the folds and drapery of the robes.

  5. step 05

    Mix and apply the skin tones, using subtle variations in color to create a sense of realism.

  6. step 06

    Refine the details of the faces and hands, paying attention to the expressions and gestures.

  7. step 07

    Add the final highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Achieve the cloud colors by mixing white with small amounts of raw umber and yellow ochre. Skin tones can be achieved by mixing white, yellow ochre, and cadmium red light, adjusting the proportions to create different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overblending and losing form
  • →Incorrect proportions of figures
  • →Muddy colors due to overmixing
  • →Ignoring the light source and creating flat, lifeless forms

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, titanium white, yellow ochre, burnt sienna, ivory black, cadmium red light)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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