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home·artworks·Die Plünderer
Die Plünderer by Heinrich Schonfeld

plate no. 0740

Die Plünderer

Heinrich Schonfeld, 1635

oilBaroquegenre paintingfiguresarchitecturecaveartifactsstill lifelandscape
experienced study

Recreating this painting will help students develop skills in rendering figures in low light and creating a sense of depth through atmospheric perspective. It also provides practice in depicting textures of various materials like stone, metal, and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the main colors of the figures, architecture, and still life elements, using a limited palette.

  4. step 04

    Refine the forms of the figures and architecture, adding details and adjusting values to create a sense of depth.

  5. step 05

    Develop the textures of the various materials, using techniques like dry brushing and scumbling.

  6. step 06

    Add highlights and shadows to create a sense of volume and dimension.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre · titanium white

Achieve the dark, muted tones by mixing burnt umber and ivory black. Use small amounts of cadmium red and yellow ochre to add warmth to the shadows and highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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