
plate no. 6298
Eugène Burnand, 1900
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures, horizon line, and major landscape elements.
Establish the sky with light blues and grays, blending softly.
Block in the distant hills with muted greens and browns, using lighter values for areas further away.
Paint the field with a base of yellow ochre and burnt sienna, then add variations with greens, oranges, and browns.
Define the figures with simple shapes and values, paying attention to the folds in their clothing.
Add details to the hay wagon and the figures, using smaller brushstrokes to create texture.
Refine the foreground with more detailed brushwork, adding highlights and shadows to the grass.
Add final touches and highlights to the figures and hay.
color palette
primary · yellow ochre · burnt sienna · ultramarine blue · titanium white
secondary · raw umber · sap green · cadmium orange
Mix muted greens for the hills by combining yellow ochre, ultramarine blue, and a touch of raw umber. Achieve the golden field color by layering yellow ochre, burnt sienna, and small amounts of cadmium orange.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.
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