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home·artworks·Die drei Frauen in der Kirche
Die drei Frauen in der Kirche by Wilhelm Leibl

plate no. 9071

Die drei Frauen in der Kirche

Wilhelm Leibl, 1881

oilRealismgenre paintingfiguresclothingbooksinteriorchurchpews
some experience helpful

Recreating this painting will help students develop skills in depicting realistic figures and rendering complex patterns like plaid and stripes. It also provides practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Block in the main color areas, starting with the background and then moving to the figures' clothing and skin tones.

  3. step 03

    Develop the values and shading within each area, paying attention to the light source and how it affects the forms.

  4. step 04

    Add details such as the patterns on the clothing, the facial features, and the textures of the books and pews.

  5. step 05

    Refine the edges and transitions between colors to create a sense of realism.

  6. step 06

    Pay close attention to the folds and drapery of the clothing to give them a three-dimensional appearance.

  7. step 07

    Add final highlights and shadows to enhance the depth and contrast of the painting.

  8. step 08

    Step back and assess the overall balance and harmony of the composition.

color palette

primary · burnt umber · ivory black · titanium white · Prussian blue

secondary · yellow ochre · cadmium red light · raw sienna

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use Prussian blue to create the blue tones in the plaid fabric. Add small amounts of cadmium red light to create the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Oversimplifying the color palette.
  • →Failing to capture the subtle variations in light and shadow.
  • →Making the patterns on the clothing look flat and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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