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home·artworks·Dido Receiveng Aeneas and Cupid Disguised as Ascanius
Dido Receiveng Aeneas and Cupid Disguised as Ascanius by Francesco Solimena

plate no. 4063

Dido Receiveng Aeneas and Cupid Disguised as Ascanius

Francesco Solimena, 1720

oil, canvasBaroquemythological paintingfiguresmythologyarchitecturedraperycupidarmor
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery folds, and understanding complex compositions with multiple focal points. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on accurately rendering the anatomy and proportions of the figures.

  4. step 04

    Develop the drapery folds, paying attention to how light and shadow define their form.

  5. step 05

    Build up the details in the faces and hands, capturing the expressions and gestures.

  6. step 06

    Refine the background elements, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · ivory black · raw umber · yellow ochre · burnt sienna

secondary · cadmium red light · ultramarine blue · titanium white

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white. Create shadows by adding raw umber and ivory black to these mixtures. Use ultramarine blue and ivory black to create the darker fabrics.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·chiaroscuro
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect proportions of figures
  • →Overly stiff or flat drapery
  • →Lack of depth and atmosphere
  • →Muddy colors
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, yellow ochre, burnt sienna, cadmium red light, ultramarine blue, titanium white)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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