apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dice Players
Dice Players by Giuseppe Maria Crespi

plate no. 9589

Dice Players

Giuseppe Maria Crespi, 1747

oil, canvasBaroquegenre paintingfiguresinteriortabledicemenwindow
some experience helpful

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the nuances of light and shadow on fabric and skin.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement and proportions of the figures and the table.

  2. step 02

    Block in the main shapes and colors of the background, figures, and table with thin washes of paint.

  3. step 03

    Begin to build up the values and details of the figures, paying attention to the light and shadow.

  4. step 04

    Refine the skin tones by layering different shades of warm and cool colors.

  5. step 05

    Add details to the clothing and accessories, such as the hats, shoes, and dice.

  6. step 06

    Work on the background, adding details to the window and the surrounding walls.

  7. step 07

    Adjust the overall values and colors of the painting to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium red light

Mix skin tones by combining burnt umber, raw sienna, and titanium white, with small amounts of cadmium red light for warmth. Use ultramarine blue and ivory black to create the darker shades in the clothing and background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and shadow.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne