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home·artworks·detail of Margaret Godolphin
detail of Margaret Godolphin by Mary Beale

plate no. 6150

detail of Margaret Godolphin

Mary Beale, 1675

oilBaroqueportraitportraitfiguredresspearlshaircolumn
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds with subtle gradations. It also offers practice in capturing the likeness and expression of a subject.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, torso, and limbs.

  2. step 02

    Establish the overall composition, including the background elements and the placement of the figure within the space.

  3. step 03

    Block in the main areas of color, starting with the darkest values and gradually working towards the lighter tones.

  4. step 04

    Begin to refine the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the drapery folds and textures of the clothing, using a combination of blending and layering techniques.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and background.

  7. step 07

    Refine the details of the hair, jewelry, and other accessories.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic representation.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and burnt sienna to create the dark background, adjusting the ratio for varying shades. Mix blue with white for the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·drapery painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, yellow ochre, titanium white, ultramarine blue, burnt sienna, cadmium red light)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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