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home·artworks·Der Zeitungsleser
Der Zeitungsleser by Wilhelm Leibl

plate no. 5733

Der Zeitungsleser

Wilhelm Leibl, 1891

oilRealismgenre paintingfiguresinteriornewspaperchairwindowfurniture
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and rendering the textures of clothing and furniture. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and areas of color using thin washes of paint.

  3. step 03

    Focus on establishing the correct values and relationships between light and shadow.

  4. step 04

    Begin to develop the details of the figures, paying close attention to facial features and clothing.

  5. step 05

    Add details to the furniture and other objects in the room, focusing on texture and form.

  6. step 06

    Refine the overall composition and adjust values as needed to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown and gray by combining raw umber, burnt umber, and titanium white. Use yellow ochre to add warmth to skin tones and highlights. Add ivory black to darken shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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