
plate no. 4839
Charles Le Brun, 1667
This painting provides an opportunity to practice portraiture, including rendering skin tones and details of clothing. Students can also learn about layering and glazing techniques to achieve depth and luminosity.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.
Establish the background with a thin wash of color.
Block in the main areas of color for the face, hair, clothing, and hat.
Begin to refine the facial features, paying attention to the highlights and shadows.
Add details to the clothing, including the patterns and textures.
Work on the hat, rendering the feathers and the gold trim.
Glaze layers to build depth and richness in the colors.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · cadmium red · yellow ochre · titanium white
secondary · ultramarine blue · burnt umber · gold
Mix skin tones using white, yellow ochre, and a touch of red and umber. Create the gold tones by mixing yellow ochre with a touch of burnt umber and a hint of red.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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