apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Depiction of Kandake/Candace Amanitore resting (Detail)
Depiction of Kandake/Candace Amanitore resting (Detail) by Iman Shaggag

plate no. 6433

Depiction of Kandake/Candace Amanitore resting (Detail)

Iman Shaggag, 1995

oil, canvasRealismhistory paintingfiguresthroneinteriorancient Egyptarchitectureclothing
some experience helpful

Recreating this painting will help students develop skills in figure drawing, depicting fabric folds, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering textures and patterns on surfaces like the floor tiles.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the throne.

  2. step 02

    Block in the main color areas, starting with the background and floor.

  3. step 03

    Establish the light and shadow patterns on the figures and the throne.

  4. step 04

    Begin adding details to the figures, including the clothing folds and facial features.

  5. step 05

    Refine the details of the throne and the surrounding architecture.

  6. step 06

    Add the patterns on the floor tiles and other decorative elements.

  7. step 07

    Adjust the colors and values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory · burnt umber · ultramarine blue

secondary · gold ochre · cadmium red · viridian green

Mix ivory with small amounts of burnt umber to create the off-white tones of the clothing. Use ultramarine blue and burnt umber to create the darker tones of the figures' skin. Mix gold ochre and cadmium red for the gold details.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Not paying attention to the perspective of the floor tiles.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ivory, burnt umber, ultramarine blue, gold ochre, cadmium red, viridian green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy