
plate no. 0957
Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing subtle facial expressions, as well as understanding the use of chiaroscuro to create depth and drama.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement and proportions of the figures.
Establish the dark background using a thin wash of dark brown or black.
Block in the main shapes of the figures with mid-tone values, paying attention to the light source.
Begin layering lighter tones on the faces and bodies, blending carefully to create smooth transitions.
Add details to the clothing, focusing on the folds and highlights.
Refine the facial features, paying close attention to the eyes, nose, and mouth.
Add final highlights and shadows to enhance the three-dimensionality of the figures.
Glaze with thin layers of color to unify the painting and create a sense of depth.
color palette
primary · burnt umber · raw sienna · titanium white · alizarin crimson
secondary · ultramarine blue · yellow ochre
Skin tones can be achieved by mixing white, sienna, and a touch of crimson. Dark areas are created by mixing umber and blue. The purple robe is alizarin crimson mixed with ultramarine blue and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne