
plate no. 4586
Mary Beale, 1699
Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone mixing, and rendering form with light and shadow. It also provides practice in capturing a likeness and creating a sense of depth.
technical profile
approach — 8 steps
Create a light sketch of the head and shoulders, paying attention to proportions and angles.
Block in the background with a dark brown, establishing the overall value range.
Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.
Begin layering in the shadows on the face, using darker mixes of brown and red.
Add highlights to the face, focusing on the forehead, nose, and cheekbones.
Paint the hair with loose, flowing strokes, using a mix of browns and blacks.
Define the clothing with simple shapes and subtle shading.
Refine the details of the face, such as the eyes, nose, and mouth.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · ivory black · raw sienna
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a small amount of black to the skin tone mix. The hair is a mix of burnt umber and black, lightened with raw sienna for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.
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