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home·artworks·Dcoetzee from the National Portrait Gallery, London Website Using a Special Tool. All Images in This Batch Have Been Confirmed as Author Died Before 1939 According to the Official Death Date Listed by the Npg.
Dcoetzee from the National Portrait Gallery, London Website Using a Special Tool. All Images in This Batch Have Been Confirmed as Author Died Before 1939 According to the Official Death Date Listed by the Npg. by Mary Beale

plate no. 4586

Dcoetzee from the National Portrait Gallery, London Website Using a Special Tool. All Images in This Batch Have Been Confirmed as Author Died Before 1939 According to the Official Death Date Listed by the Npg.

Mary Beale, 1699

oilBaroqueportraitportraitfiguremalehairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone mixing, and rendering form with light and shadow. It also provides practice in capturing a likeness and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the head and shoulders, paying attention to proportions and angles.

  2. step 02

    Block in the background with a dark brown, establishing the overall value range.

  3. step 03

    Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin layering in the shadows on the face, using darker mixes of brown and red.

  5. step 05

    Add highlights to the face, focusing on the forehead, nose, and cheekbones.

  6. step 06

    Paint the hair with loose, flowing strokes, using a mix of browns and blacks.

  7. step 07

    Define the clothing with simple shapes and subtle shading.

  8. step 08

    Refine the details of the face, such as the eyes, nose, and mouth.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ivory black · raw sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a small amount of black to the skin tone mix. The hair is a mix of burnt umber and black, lightened with raw sienna for highlights.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the shadows too harsh and unnatural.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a smooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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