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home·artworks·Dawn in St. Petersburg
Dawn in St. Petersburg by Fyodor Vasilyev

plate no. 6605

Dawn in St. Petersburg

Fyodor Vasilyev, 1870

oil, canvasRealismcityscapecityscapebuildingsfiguresstreetskydawn
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light on wet surfaces. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, horizon line, and the basic placement of figures.

  2. step 02

    Establish the sky gradient with broad strokes, blending from yellow at the horizon to blue at the top.

  3. step 03

    Block in the dark values of the buildings and figures, using a mix of blues and browns.

  4. step 04

    Indicate the reflections on the wet street with horizontal strokes of lighter values.

  5. step 05

    Add details to the buildings and figures, focusing on capturing their silhouettes.

  6. step 06

    Define the street lamps with small strokes of yellow and orange.

  7. step 07

    Refine the atmospheric perspective by softening the edges of distant objects.

  8. step 08

    Add final highlights to the figures and buildings to create a sense of depth.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · alizarin crimson

Mix yellow ochre and white for the sky, adding small amounts of blue for the upper regions. Use burnt umber and ultramarine blue for the dark buildings, adjusting the ratio for different shades. Add orange and crimson to the yellow for the sunset glow.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the values too uniform and not creating enough contrast.
  • →Failing to capture the reflections accurately.
  • →Using colors that are too saturated and not muted enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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