apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·David Gill
David Gill by George Henry

plate no. 9736

David Gill

George Henry, 1912

oilRealismportraitportraitfiguremanbookstableclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and table.

  2. step 02

    Establish the background with dark, muted tones, gradually building up layers of color.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and pose.

  4. step 04

    Begin to refine the facial features, focusing on accurate proportions and subtle value changes to create a sense of depth.

  5. step 05

    Develop the details of the clothing, using a variety of brushstrokes to create texture and form.

  6. step 06

    Paint the hands, paying close attention to the bone structure and subtle variations in skin tone.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the overall composition.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and burnt sienna. Use ivory black and raw umber to create the dark background and clothing, adding small amounts of other colors to create subtle variations.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall form.
  • →Using too much color and creating a muddy effect.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy