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home·artworks·David and Abigail
David and Abigail by Jan Cossiers

plate no. 8604

David and Abigail

Jan Cossiers

canvasBaroquereligious paintingfiguresarmorlandscapereligious scenewomenhorse
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in capturing complex interactions between figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the background with thin washes of color.

  4. step 04

    Start building up the figures, focusing on accurate skin tones and drapery folds.

  5. step 05

    Add details to the armor and other objects, paying attention to reflections and textures.

  6. step 06

    Refine the facial expressions and gestures of the figures.

  7. step 07

    Adjust the overall color harmony and value contrast.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, red, and yellow ochre with small amounts of umber and blue. Use glazes of red and umber to create depth in the shadows. Mix blue and umber for the darker areas of the armor.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →getting proportions wrong
  • →overworking the details too early
  • →muddying the colors
  • →inconsistent light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

chiaroscuro →how to learn by studying the masters →
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