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Dancing dervishes by Jean Baptiste Vanmour

plate no. 1233

Dancing dervishes

Jean Baptiste Vanmour, 1737

oil, canvasBaroquegenre paintingfiguresarchitectureinteriordancingdomecrowd
experienced study

Recreating this painting will help students develop skills in depicting figures in motion, understanding atmospheric perspective, and creating depth in a complex interior scene. It also provides practice in rendering fabric and subtle variations in skin tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the room.

  2. step 02

    Block in the major shapes and forms, focusing on the architecture and the placement of the figures.

  3. step 03

    Establish the light source and begin to build up the values, starting with the darkest areas.

  4. step 04

    Develop the background figures, simplifying details and using atmospheric perspective to create depth.

  5. step 05

    Refine the details of the foreground figures, paying attention to the folds of their clothing and their gestures.

  6. step 06

    Mix and apply colors for the dancers' robes, using a limited palette to create harmony.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and believable scene.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve the warm, muted tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of blue to cool down the reds and browns. Mix yellow ochre with white and a touch of red to create the lighter skin tones.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Failing to establish a clear light source, which can make the scene look confusing.
  • →Getting the proportions of the figures wrong, which can make them look unnatural.
  • →Using too many colors, which can create a chaotic and jarring effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium (alkyd)
  • ·varnish

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to speed up the drying time of the oil paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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