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home·artworks·Dame assise de trois-quarts
Dame assise de trois-quarts by Artemisia Gentileschi

plate no. 7501

Dame assise de trois-quarts

Artemisia Gentileschi, 1620

oilBaroqueportraitportraitfiguredresschairlacejewelry
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing the texture and detail of clothing and jewelry. It also provides practice in creating depth and dimension through careful observation of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and chair.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figure, including the dress, face, and hands.

  4. step 04

    Begin layering skin tones, paying attention to highlights and shadows to create form.

  5. step 05

    Develop the details of the dress, including the gold fabric, lace collar, and floral embroidery.

  6. step 06

    Add the jewelry and other accessories, focusing on their reflective qualities.

  7. step 07

    Refine the facial features, capturing the subject's expression and likeness.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism of the painting.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium red light · ultramarine blue

Mix various shades of skin tones using white, yellow ochre, burnt umber, and a touch of red. Create the gold fabric by layering yellow ochre and burnt umber, highlighting with lighter shades of yellow ochre and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering of fabrics

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tone.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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