
plate no. 0220
Abraham Storck, 1675
Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering complex architectural details. It also provides practice in depicting figures in a believable scale and environment.
technical profile
approach — 8 steps
Begin by sketching the basic shapes of the buildings, paying attention to perspective.
Establish the horizon line and vanishing points.
Block in the sky and ground with broad washes of color.
Add the main architectural details of the buildings, focusing on accurate proportions.
Start adding the figures, beginning with the larger ones and gradually decreasing in size towards the horizon.
Refine the details of the buildings and figures, adding highlights and shadows.
Add the clouds and atmospheric effects to create depth.
Apply final glazes to unify the painting and enhance the colors.
color palette
primary · yellow ochre · raw umber · titanium white · ultramarine blue
secondary · burnt sienna · ivory black · cadmium yellow light
Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use glazes of burnt sienna and raw umber to create depth and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a fine-grained canvas to allow for detailed rendering. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne