apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dag I Mars
Dag I Mars by Pekka Halonen

plate no. 9142

Dag I Mars

Pekka Halonen

oilRealismlandscapetreessnowlandscapebuildingswinterfield
some experience helpful

Recreating this painting will help students understand how to use color temperature to depict light and shadow in snow, and how to create texture with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, buildings, and snow drifts.

  2. step 02

    Block in the large areas of color, starting with the sky and background fields.

  3. step 03

    Add the darker values to define the shadows in the snow and on the buildings.

  4. step 04

    Begin layering colors to create depth and dimension in the snow, using blues, purples, and yellows.

  5. step 05

    Paint the trees, focusing on capturing their form and texture with expressive brushstrokes.

  6. step 06

    Add details to the buildings and fence, paying attention to their shapes and colors.

  7. step 07

    Refine the highlights and shadows to create a sense of light and atmosphere.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · violet · sap green

Mix white with small amounts of blue and violet to create the cool tones in the snow. Use yellow ochre and burnt umber to create the warm tones in the buildings and trees. Add small amounts of red to create the red buildings.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Over-blending the colors, which can flatten the image.
  • →Using too much white, which can make the snow look chalky.
  • →Ignoring the subtle color variations in the snow.
  • →Getting lost in the details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes #4, #6, #8
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to help create the impressionistic brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy