apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dachauerin mit Kind
Dachauerin mit Kind by Wilhelm Leibl

plate no. 2284

Dachauerin mit Kind

Wilhelm Leibl, 1875

oilRealismportraitfiguresportraitclothinghatsmotherchild
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic clothing textures. It also provides practice in creating depth through value and tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figures' poses and proportions.

  2. step 02

    Establish the background with thin washes of color, focusing on subtle variations.

  3. step 03

    Block in the main shapes of the figures' clothing with dark values.

  4. step 04

    Begin building up the skin tones, layering colors to create depth and realism.

  5. step 05

    Refine the details of the faces, paying attention to the light and shadow.

  6. step 06

    Add details to the clothing, such as the fur texture and the decorative elements.

  7. step 07

    Adjust the overall values and tones to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Use ultramarine blue and burnt umber to create a range of blacks and grays for the clothing.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·rendering textures

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in value, leading to a lack of depth.
  • →Ignoring the importance of accurate proportions in the initial sketch.
  • →Using too much black, which can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy