apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Döbelnsgatan
Döbelnsgatan by Eugène Jansson

plate no. 5087

Döbelnsgatan

Eugène Jansson, 1889

oilRealismcityscapestreetbuildingsfiguresskytreeslamppost
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and buildings.

  2. step 02

    Establish the horizon line and vanishing point.

  3. step 03

    Block in the large shapes of the buildings, street, and sky with thin washes of color.

  4. step 04

    Add the darker values to create shadows and define forms.

  5. step 05

    Begin layering colors to build up the textures of the street, buildings, and trees.

  6. step 06

    Refine the details of the figures and lamppost.

  7. step 07

    Add highlights and adjust values to create a sense of light and atmosphere.

  8. step 08

    Finish with subtle details and adjust the overall color balance.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · sap green · ultramarine blue · yellow ochre

Mix raw umber and white for the street and buildings. Use burnt sienna for the brick wall and roofs. Add small amounts of blue and green to the sky and foliage to create depth.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Getting the perspective wrong can ruin the composition.
  • →Overworking the details can make the painting look stiff.
  • →Not paying attention to value changes can flatten the image.
  • →Using too much detail in the background will reduce the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, and 6
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy