apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Crucifixion of Apostle Andrew, Patras in Achaia, AD 70
Crucifixion of Apostle Andrew, Patras in Achaia, AD 70 by Jan Luyken

plate no. 1800

Crucifixion of Apostle Andrew, Patras in Achaia, AD 70

Jan Luyken, 1685

etchingBaroqueillustrationcrucifixionfigureslandscapeskyarchitecturereligion
experienced study

Recreating this etching will develop skills in line drawing, cross-hatching, and creating depth through varying line weight and density. It also requires careful observation of anatomy and drapery.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch of the overall composition, paying attention to proportions and placement of figures.

  2. step 02

    Outline the main shapes and forms with a fine-tipped pen or etching needle.

  3. step 03

    Start adding details to the figures, focusing on facial expressions and drapery folds.

  4. step 04

    Use cross-hatching to create shadows and define the form of the figures and landscape.

  5. step 05

    Vary the density of the cross-hatching to create different values and depth.

  6. step 06

    Add details to the background architecture and sky.

  7. step 07

    Refine the linework and add any final details.

  8. step 08

    Erase any remaining pencil lines.

color palette

primary · black · white

secondary ·

This is a monochrome image; the key is to control the value through line density.

techniques

  • ·cross-hatching
  • ·line weight variation
  • ·stippling
  • ·contour drawing
  • ·hatching

common pitfalls

  • →Rushing the initial sketch and ending up with incorrect proportions.
  • →Making the lines too uniform, resulting in a flat and lifeless image.
  • →Overworking the cross-hatching and creating a muddy or unclear image.
  • →Ignoring the importance of negative space in defining the forms.

materials

surface · Smooth drawing paper

required

  • ·Smooth drawing paper
  • ·Pencils (HB, 2B)
  • ·Fine-tipped drawing pen (0.1mm or smaller)
  • ·Eraser
  • ·Ruler
  • ·Magnifying glass (optional)

optional

  • ·Etching needle
  • ·Etching plate
  • ·Etching ink
  • ·Press

If etching, use appropriate etching tools and materials.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne