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home·artworks·Crucifixion
Crucifixion by Francesco Ribalta

plate no. 7261

Crucifixion

Francesco Ribalta

oilBaroquereligious paintingcrucifixionfiguresreligious scenecrossdraperydark background
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating depth through value and atmospheric perspective. It also provides practice in achieving realistic skin tones and rendering drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures with simplified values, focusing on light and shadow.

  4. step 04

    Begin refining the anatomy and details of the central figure, paying attention to muscle structure and bone structure.

  5. step 05

    Develop the drapery folds and textures, using highlights and shadows to create form.

  6. step 06

    Refine the faces and expressions of the figures, adding subtle details to convey emotion.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve skin tones by mixing white, burnt sienna, and a touch of red or yellow ochre. Use raw umber and black to create the dark background and shadows. Mix red and brown for the robes.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the oil paints and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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