
plate no. 1427
Ivan Nikitin, 1741
This painting offers practice in portraiture, focusing on subtle skin tone variations and soft blending. Students can develop skills in capturing likeness and creating a sense of depth through value changes.
technical profile
approach — 8 steps
Sketch the basic oval shape and the figure's head and shoulders, paying attention to proportions.
Block in the background with a mid-tone brown.
Establish the main light and shadow areas on the face and body using a limited palette.
Begin layering skin tones, blending carefully to create smooth transitions.
Add details to the eyes, nose, and mouth, focusing on accurate shapes and values.
Refine the hair, suggesting curls and highlights with delicate brushstrokes.
Adjust the overall values and colors to achieve a harmonious and realistic effect.
Add final highlights and details to the face and hair.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red
secondary · ivory black · ultramarine blue
Mix skin tones by combining white, yellow ochre, and a touch of red. Use burnt umber and black for shadows, and add a touch of blue to cool the shadows. For the lips, mix cadmium red with a touch of burnt umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for easier blending. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne