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home·artworks·Crossing the Severn
Crossing the Severn by David Bates

plate no. 2558

Crossing the Severn

David Bates, 1905

oilRealismgenre paintinglandscaperivercowsfiguretreesmountains
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and depicting reflections in water. Students can also learn how to simplify complex forms like trees and animals into basic shapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, river flow, and placement of major elements.

  2. step 02

    Block in the sky and distant mountains with thin washes of color, establishing the overall atmospheric perspective.

  3. step 03

    Paint the background trees and fields, gradually adding more detail and texture as you move forward.

  4. step 04

    Establish the basic shapes and values of the cows and figure, paying attention to their relative sizes and positions.

  5. step 05

    Add the river, focusing on capturing the reflections of the sky, trees, and cows.

  6. step 06

    Refine the details of the foreground, including the grass, rocks, and the figure's clothing.

  7. step 07

    Add highlights and shadows to create depth and dimension, especially on the cows and in the water.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and realistic effect.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · sap green · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements. Create realistic skin tones for the cows by mixing burnt umber, cadmium red, and white.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated
  • →Failing to capture the reflections accurately

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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