apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cows on the Banks of the Seine, at Conflans
Cows on the Banks of the Seine, at Conflans by Charles-Francois Daubigny

plate no. 6047

Cows on the Banks of the Seine, at Conflans

Charles-Francois Daubigny, 1876

oil, panelRealismlandscapelandscaperivercowsskytreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle variations, and capturing reflections in water. It also encourages simplification of details to create a cohesive landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the river.

  2. step 02

    Block in the sky with broad strokes, capturing the subtle color variations of the sunset.

  3. step 03

    Establish the dark masses of the trees and the foreground foliage.

  4. step 04

    Paint the river, paying attention to the reflections of the sky and the surrounding landscape.

  5. step 05

    Add the cows and figures, simplifying their forms and focusing on their placement within the scene.

  6. step 06

    Refine the details of the foliage and the distant landscape, using smaller brushstrokes.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the subtle sky colors by mixing white with small amounts of yellow ochre, ultramarine blue, and alizarin crimson. Use burnt umber and ultramarine blue for the dark greens, and add yellow ochre for warmer tones.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much detail in the background, which can flatten the perspective.
  • →Failing to capture the subtle color variations in the sky and the water.
  • →Making the cows and figures too prominent, which can distract from the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium yellow, alizarin crimson, viridian)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·selection of round and flat brushes
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy