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home·artworks·Courtyard of a bakery near Paris (Courtyard of a House near Paris)
Courtyard of a bakery near Paris (Courtyard of a House near Paris) by Camille Corot

plate no. 5282

Courtyard of a bakery near Paris (Courtyard of a House near Paris)

Camille Corot, 1865

oil, canvasRealismcityscapebuildingscourtyardfiguresskyarchitecturedomestic animals
some experience helpful

This painting provides practice in rendering form with subtle value changes and capturing the texture of aged buildings. Students will learn to simplify complex scenes by focusing on essential shapes and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and their placement on the canvas.

  2. step 02

    Establish the horizon line and the perspective of the courtyard.

  3. step 03

    Block in the large areas of color, focusing on the overall value structure.

  4. step 04

    Begin to refine the shapes of the buildings, adding details such as windows and doors.

  5. step 05

    Add the figures and other elements in the courtyard, paying attention to their proportions and placement.

  6. step 06

    Develop the texture of the buildings and the ground with broken brushstrokes.

  7. step 07

    Refine the lighting and shadows, creating depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix raw umber and white for the building walls, adding yellow ochre for warmth. Use burnt sienna and ultramarine blue to create the darker tones in the shadows and roof.

techniques

  • ·scumbling
  • ·dry brushing
  • ·broken color
  • ·tonal painting
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating overly harsh or defined edges.
  • →Not paying attention to the value structure and creating a flat painting.
  • →Failing to simplify the scene and including too much unnecessary detail.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas to capture the broken brushstrokes effectively. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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